Mme Florence Lefebvre

Another ruined house, frontispiece laying in a rubble of bricks and household debris in the road, the exposed staircase leading to the sky.
Caspian made his way around the water filled bomb carters, the cat balanced on his shoulder, pressed against his ear, which tickled with fur heat. Everywhere destruction, strafes of bullet fire running in long lines, jumping from one building to the next, not one unbroken pane of glass in the windows. Where habitation had taken root, boards had been inserted to keep out the wind and strings of washing stretched from pillars of damaged house to loose posts, which swung on the spring air. Where a chimney did smoke, the scent of burning wood was comforting, the aroma of life prickling back in this ruinous landscape.
Another five minutes walk beyond the village, Caspian made his way along a long straight cinder path, with a paddock on either side, to a solitary homestead. A cow watched him, it's head following his passing, chewing on a cud while the night's dew rose in steam off it's hide. On the other side, behind a hawthorn hedgerow, the old orchard was busy with hens scratching beneath the twisted boughs of apple and pears.
The house hadn't escaped the firefight. An outhouse burnt to a charred skeleton, bindweed ensnaring it, the white trumpets making it grotesquely picturesque. The windows to the farmhouse had been poorly reglazed, he guessed the glasshouse to the rear had been sacrificed. The top left corner of the building was blown away, the bedroom his mother had grown up in, roof gone, rafters exposed, the door to the stairs covered in a tarpaulin to keep rain out of the rest of the building.
He looked in through the half opened stable door to the kitchen. A fire roared in the grate, a black pot that smelt like cassoulet hanging over it. To the left on the wall, was hung a brace of rabbits and three pigeons. Clustered on the window ledges, terracotta pots sprouted early beans and peas. The dresser was stacked with plates and rows of jars full of preserves and pickles. The wooden table was coated in a strew of flour, in the midst of which some dough proved for bread beneath a blue and white checked cloth.
"Grand-mere." He called, the cat jumped down and strolled towards the fire. He heard a scuffling and from the scullery his Grand-mere's head appeared, she stepped up into the kitchen and they hugged tightly.
"Oh Caspian, my boy, my boy come home." They kissed and she stood back to look him up and down. She was still plump but thinner than he remembered, he broader, older than she remembered. They scrapped back chairs and she poured coffee into wide cups and was introduced to the cat.
"You look well." He complimented, she shrugged implying looks were deceiving.
"I am alive." She crossed herself. "You came through the village?" He nodded, she puffed out an expression of dismay and spoke softly. "The Blancs were all killed, so to the Rousseau and Monsieur Lambert. The Tasse, The Martins left early on, The Lafitte," her voice fell to the cusp of hearing, "and The Benoits, the Germans took them." The fear of five years war was alive in her eyes. He held hands to stop them shaking.
"I thought you would be safe out here, so far from anywhere." 
"They were here, they were everywhere searching for the maquisards." She twisted her neck to look behind at a sepia photograph of her husband. "Every time they came, I prayed didn't I Papa?" The photograph remained silent. "They were in the woods, but the Germans couldn't get to them. They tried to say I was giving them eggs, baking bread, but I told them, " her eyes steeled. "Would you call your Mother a liar, no, or your Grandmother? no NO! Get out! Out! Out!" Her face was red, she leant back and held up her palms expressing surprise to have lived. She pointed out the window at the cow. "The Marquis gave me that in thanks for all the stews I cooked for them." As if reminded she got up and stirred the cassoulet. The cat stretched and invited her to tickle it's tummy, she scooped it up and sat back down with it on her lap.
"A miracle they didn't shoot you." Caspian looked at her in wonder. She crossed herself again and Caspian found himself mimicking the genuflection. They sat silently enjoying the coffee and the purring cat.
"You will stay?" She enquired.
"For a while, help you get everything up and running again."
"Good good."  He leant down and pulled a scratched box from his bag. "What's this?"
"A present. I was given it but I think it's more for a woman."
"A lady." She corrected with a wag of her finger.
""A beloved Grand-mere." He caught her finger and kissed it.
The rusty hinges creaked and after a few internal taps and dislocated notes, the box gave up trying to play, inside was a torn piece of paper and a tiny photograph.
"What's this?"
"It's supposed to play a tune." Caspian fiddled with the key while she read aloud the message scrawled in English.. "Ho-well, what does that mean?"
"It's a name."
"You should go back to your Father." She turned the paper over, "That's all it says." Caspian picked up the photo. It showed a baby pearched awkwardly on the knee of it's mother. She held one of its chubby arms, looking straight into the camera. The child could have been a box or a bag for all the care offered to it.
Caspian threw the picture on the fire and Grand-mere followed suit with the paper.
"A friend of yours?" Caspian nodded thoughtfully.
"An unlucky man I think."
"Sometimes God takes a while to remember some people." Caspian frowned, thinking Howell was a stranger to both God and luck. He resumed rattling the box and the music drum began to turn and the sound of peace grew its way about them and their attentive silence. Grand-mere closed her eyes until the clockwork wound down.
"Chopin?" Caspian guessed but she shook her head.
"Maybe Mendelssohn or Rachmaninoff, I know it I'm sure." She dropped the cat onto the table and scrapped back the chair, going through a red plaid curtain to the parlour. She pulled off a huge patchwork bedspread from a black upright piano, rising a cloud of dust particles which span like plankton in the sunlight. She patted one side of a green velvet cushion on the stool, and they sat close beside one another, one buttock off, one buttock on.
"It's a little out of tune, I haven't played much since it all began." She ran up and down a few scales and then tried to pick out the tune from the music box. Occasionally Caspian would prod a key that sounded to him, closer to the original, and together they made their way along the run of the melody. How rich it sounded played by intuitive fingers rather than the curt metal pins. The beauty of it, surrounded as it was by fields of blood and bullet, overcame them and she cried for her sorrows and the pleasure of Caspian's presence.
He looked up at a picture that had always hung above the piano, a vision of La Belle crashing through rough waves on course for The Gulf of Mexico, and longed for the smell of the sea and the movement of the ship beneath his feet, but for now home was where he was needed.


(For start of story see Madigan)

Bethany

A row of terraced flint cottages disappeared around the steep downward curl of the road, rain spearing through the streetlights glow, washing the slate roofs so they gleamed in the cold night.
Howell stepped back off the doorstep having banged the brass knocker twice, and wiped the rain from his face. The door jerked open, no light in the narrow hallway but he could make out an old woman, her floral work pinny drawn tightly across her body, her grey hair braided and tucked behind her ears, pinned into a bun above the nape of her neck.
"Yes?" She was brusk, strangers weren't common in the village, weren't welcome at this time of night, she held onto the door meaning to slam it shut if necessary.
"Is Bethany at home?"
"Bethany?"    
He pulled a soggy piece of paper from the pocket of his oilskin coat.
"I'm told she lives here." He peered at the dissolving writing. "Number 83?" She nodded.
"Number 83." She confirmed, he stuffed the wet paper back in the pocket, his patience eroded by the rain.
"I've come a long way."
"So I hear." She was trying to work out what intrigued her about this sailor, with his tanned face and red hair. "So I see."     
"Where is she then, is the address wrong?"
"She used to live here but not now." He tried to keep his temper.
"Then where?"
"Who are you?" Howell wiped the rain from his face again.
"I'm her son." The old lady's hand jerked upwards, fingers covering her mouth. "From Argentina." The other hand pressed against her breastbone. The red head, the green eyes, yes that was why she half knew the stranger, without doubts he was Bethany's boy, the image of her, but she'd never said about any child.
"Where will I find her? Bethany, where is she now?"
"Number 30, the other side, but.." He'd not waited for the warning but was gone, slinging a duffel across his back, away across the empty road, into the darkness with the rain.

Outside Number 30 was a wall with a upright row of flints, sharp as sharks teeth on the top, a light snapped on in the hall in response to Howell's knock.
When the door opened he saw her, Bethany, his mother, with a peeling wallpaper decorated with roses behind her, a worn red carpet beneath her blue slippers, wearing a peach coloured cable knitted cardigan, with tiny red buttons.
On seeing him, her green eyes widened in surprise, she froze for a moment and then gave a furtive glance over her shoulder back into the house, so her red hair shone momentarily in the streetlights. She pushed him away from the threshold and half closed the door behind her.
"Howell?" She whispered disbelievingly.
"Mammy." She hushed him and pulled the door further closed, then stuffed her hands into the tiny pockets of the cardy.
"You can't be here." She whispered, her eyes flicking about this man who she'd last seen as a baby.
"But I am. I came to find you, I.." She tried to hush him again and a man's voice shouted from inside.
"Who is it Bethan?"   She inched the door open.
"No-one, no mind."
"Get yourself in then, there's a roaring draught coming in." She started to go inside but Howell caught her arm.
"I came to find you, all this way, I need..." She threw his hand off and hid behind the door as the shouting started again.

"I have to go, You must go." He pressed his hand hard against the door so she couldn't close it.
"I I have a present for you." He called desperately, pulling a box from the duffel bag "I thought of you when it played, I remembered you singing, that was my memory of you, my mother who held me in her arms, if only when I was dreaming." He forced the box through the gap and then stepped away, the door banged shut and he heard the lock turn, then a bolt slide.

Caspian was performing his infamous card trick, twisting the Queen of Diamonds in an elaborate dance around the 7 fingers of his mutilated hands. 3 men lined up on bar stools watched attentively, a pile of money between them and the Frenchman. Caspian slapped the card face down and invited the barman to pick it up.
He did so and burst into laughter, showing the Ace of Spades to the audience. One took the card as thought inspecting it would explain the trick, while another applauded and the third thumped Caspian on the shoulder in admiration. Caspian scooped up the money.
"I'll have whatever that is," he pointed at the row of light ale pints the men all had before them "a double whiskey and a saucer of milk." Then he opened a Gladstone bag he'd tucking at his feet, and extracted the sleepy stripy cat.
There was a rough gust of wind from the entrance and Howell reentered the bar and crossed to join his shipmate, he was dripping rain from the oilskin but didn't take it off, just sat and stared forwards. The cat, placed on the bar stretched out it's back legs and meowed when presented with the saucer of milk.
"You were not gone long." Caspian observed and raised his glass of ale to thank his benefactors.
"No." Howell replied smartly and took a gulp on the whiskey.
"I warned you." Caspian ran his hand down the back of the cat, who continued to lick up the milk but arched it's spine elegantly, tail erect.
"You did." Howell drank the last of the whiskey and ruffled the cold wet rain from his hair. The barman approached and wiped some of the damp from the bartop.
"What's you cat called?" He asked.
"Galilee." Caspian replied.
"Galilee?"
"Like the sea, In my family we are all named after seas. I am Caspian, this is Galilee, and this," He jerked his one thumb at Howell, "is Dead." The barman laughed and went away down the bar, just as the door opened allowing in another blast of cold air.
The old lady from number 83 closed an umbrella, propping it against a hatstand. She made an eye sweep of the bar until she found Howell and walked over pulling an object from under her blue anorak.
"She can' t take it." She placed a battered box on the bar, seeing Howell again in the light she looked close to tears, "I'm sorry." She muttered as she hurried away.
Howell pulled the box towards him. It looked rough, corners rounded, the gloss of the lacquer worn away by months at sea. He pushed it along the bar to Caspian, as he rose from the bar stool and swung his duffel over his shoulder.
"For our friendship." Caspian made no protest.
"Where will you go?" He called but there was only a cold blast of the rain and wind from the door in reply. In the silence of the bar, everyone waited for someone else to ask what had just happened. Then in a low voice Caspian told them the old tale of a Dutchman who travelled the seas eternally, in search of a true heart.


(For start of story see Madigan)